ST MAN History
ST MAN is quickly becoming a name that music lovers in Nepal and beyond are starting to recognize. What makes him different from most rising rappers is not just his music but the life he lived before ever stepping into the hip-hop scene. Before audiences knew him for his energetic verses and collaborations, he spent years as a monk. That experience, shaped by discipline and reflection, gave him a perspective few artists can claim. Today, that past echoes through his songs, bringing a sense of honesty and depth that listeners connect with instantly.
When you hear one of his tracks for the first time, it feels personal. He doesn’t just rap about ambition or city life—he tells stories that sound lived-in. Songs like “KTM CITY” and “Kaam Naam Daam” capture both the struggles and the determination that define life in Kathmandu. His lyrics carry the grit of everyday challenges but also the optimism of chasing something bigger. There’s no sense of pretense, no attempt to simply follow trends. Instead, every line reflects the duality of his journey: a man who once lived in silence now using rhythm and rhyme to express everything he’s learned along the way.
Collaboration plays a significant role in shaping his career. Working with artists such as YUNG 22 and BIG NORZZA, he has released high-energy tracks like “BOMBAY” and “INDIA.” These songs prove how well he can adapt his style while still leaving his mark on the music. His verses complement the energy of his peers, but they never fade into the background. Instead, they bring balance, making the songs both entertaining and meaningful. Through these collaborations, he isn’t just building hits—he’s building community, showing that the Nepali hip-hop movement thrives when artists support one another.
A turning point in his journey came with the release of the album Kollywood. This project felt like more than just music—it was a bold statement of his creative direction. Partnering with names like Sacar, also known as Lil Buddha, he blended cinematic influence with grounded lyricism. Tracks like “KOLLYWOOD” and “Jaane Bhaye Jau” highlight his ability to craft songs that feel larger than life while still rooted in personal truth. With this project, ST MAN showed that he was not only growing as a rapper but also as a cultural voice capable of reflecting broader themes in Nepal.
What sets him apart in a crowded scene is the weight of his background and the way he transforms it into art. His past life as a monk adds a layer of depth to his storytelling, while his present journey shows adaptability and ambition. He is equally comfortable delivering hype verses alongside collaborators as he is digging deep into reflective tracks that stand on their own. His connection to Nepali culture is unmistakable, and yet the energy of his music resonates with hip-hop fans far beyond the country’s borders. Every new release feels like an evolution, never a repetition, proving his creativity is always moving forward.
For those discovering him for the first time, it’s easy to get pulled in by the energy of songs like “BOMBAY” or “INDIA.” From there, diving into tracks such as “KTM CITY” or exploring the Kollywood album provides a fuller sense of his artistry. His catalog is not built only on catchy beats—it is built on truth, ambition, and a willingness to share his own journey with the world.
The road ahead looks promising. As Nepali hip-hop gains recognition, artists like ST MAN are showing that the scene has its own identity and power. His growth from spiritual silence to lyrical expression mirrors the growth of the movement itself—raw, evolving, and increasingly confident. He is not just another rapper uploading videos to YouTube; he is carving out a space as a storyteller and visionary who carries his past into everything he creates.
At the heart of it all, hip-hop has always been about telling stories and giving a voice to experiences that might otherwise go unheard. ST MAN embodies that spirit fully. His songs are pieces of a larger journey, reflecting both struggle and hope, individuality and community. From meditation halls to the busy streets of Kathmandu, his path proves that music can transform, uplift, and inspire. And if his recent momentum is any sign of what’s to come, the future of Nepali rap has found one of its most compelling voices.
Cinema Lyrics – (Released Year 2025)
Intro:
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Najarai Ma Najar Judyo
Aankhaile Yo Baisha Lutyou
Verse 1:
Ma Ta Cinema Ko Director
Roll Dinchu Film Maa
Shooting Kata Garne Vana
Bombay Ki Delhi Maa
Hit Huncha Cinema
Roll Camera Action
Shot Ready Cha
Lifestyle Hera Mero Luxury Cha
Malai Timi Man Paryo
Timi Lucky Raicha
Hijo Adhyaro Ma Lako Maya Doggy Raicha
24 Ko Kammar Ani 36 Ko Chaati
Naito Maa Chede Ko Mini Skirt Mathi
High Heels Maa Catwalk Hidiraki
Tik Tik Tok Tik Tik Tik Tok
Garau Meet Up Malai Garna Man Chaina
Big Talk Let My Drip Talk
Kya Sexy Figure (Shake That Booty)
Ass Pani Bigger (Shake That Booty)
Mero High Vayo Meter 140
Timilai Chahidaina Filter
Areba Areba Areba
Chorus:
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Verse 2:
Dil Diya Pyar Diya Paisha Diya
Bin Tere Kya Jiya Kaisha Jiya
Na Na Na Ab Tu Bas Kar Chori
Mar Dala Tune Mujhe Has Kar Chori
Adhe Rat Par Tu Call Mat Kar Chori
Aana Hai Toh Sidha De Dastak Chori
Kya Kyu Kaishe Kab Mujhe Mat Puch
Hu Mein Majboor Tere Pyar Mein
Dunga Sab Kuch Dildaar Mein
Baitha Hu Tere Intezaar Mein
Hamro Jodi Dekhera Dusman Hereko Herai
Hamro Paisa Dekhera Dusman Hereko Herai
Hamro Para Dekhera Dusman Hereko Herai
Hamro Kam Dekhera Dusman Hereko Herai
Chorus:
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Verse 3:
Timro Lifestyle Change Garchu
Gara Mero Sangat Umer Kati Kanchi Ko
Kati Bikram Sambat 7231 Timro Lucky Number
Offer Maa Dinchu Timlai Upahar Bumper
Ek Call Garchu Ma Naka Pugera
Ghar Aauchu Paisako Baksa Bokera
Timlai Sun Moti Hira Dinchu Lhasa Pugera
Mala Bolna Aaudaina Hera Gaja Fukera
Yo Ready Bhaye Basa Lina Timro Marda Aacha
Ki Aar Ki Paar Marda Le Garcha Aaja
Nabhana Sarma Lagcha Bati Nivayera Dinchu
Maya Ko Chino Tyo Chino Dekhi Timlai Chadai
Garva Lagcha Yo Nalagauna Chukul Timro Kotha Ko
Knock Knock Knock Hera Ko Aako?
Outro:
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Banake Pani Mujhe
Bujhale Pyas Raja
Aishe Na Dekho Mujhe
Badan Yeh Chumle Aaja
Kalilo Baisha Lai Samhala
Dhalkera Jala Umera
Dilako Maya Sumpera
Nalagau Maya Lukera
Kalilo Baisha Lai Samhala
Dhalkera Jala Umera
You Can Also Watch Video of Cinema By ST MAN FT. SOMEA
Love this? Discover more lyrics that speak to your soul! : Bombay Lyrics | ST MAN | YUNG 22 & BIG NORZZA